“The 39 Steps,” Lofte Community Theatre, Manley, Nebraska, Saturday through Oct. 27. Showtimes: 7 p.m. Fridays and Saturdays, 2 p.m. Sundays. Exception: Additional show at 7 p.m. Oct. 24. Tickets: $22 reserved seats. Information: lofte.org or 402-234-2553.
“A Bucket of Blessings,” Rose Theatre Hitchcock Stage, 2001 Farnam St., Friday through Nov. 3. Showtimes: 9:30 and 11 a.m. Saturdays and Sundays. Tickets: $12 general admission. Reservations are required. Information: rosetheater.org or 402-345-4849.
“Dogfight,” University of Nebraska at Omaha Department of Theatre, Wednesday through Oct. 27. Showtimes: 7:30 p.m. Wednesday and Oct. 23-26, 2 p.m. Oct. 20 and 27. Tickets: $20 general admission, UNO students free with MavCARD. Information: bit.ly/2n35Wy0 or 402-554-7529.
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This complete guide of local music, movies, dining and entertainment will have you weekend ready.
“Red Summer,” Blue Barn Theatre, 1106 S. 10th St., through Oct. 20. Showtimes: 7:30 p.m. Thursdays through Saturdays, 6 p.m. this Sunday, 2 p.m. Oct. 20. Tickets: $35 general admission, $30 seniors. Information: bluebarn.org or 402-345-1576.
“Bernhardt/Hamlet,” Brigit St. Brigit Theatre Co., First Central Congregational United Church of Christ, 421 S. 36th St., through Oct 20. Showtimes: 7:30 p.m. Oct. 18 and 19, 2 p.m. Oct. 20. Tickets: $30 general admission, $25 students, people 65 and older and military personnel. Information: bsbtheatre.com or 402-502-4910.
“The Cat in the Hat,” Rose Theater, 2001 Farnam St., through Sunday. Showtimes: 7 p.m. Friday, 2 and 5 p.m. Saturday, 2 p.m. Sunday. Tickets: $20 general admission. Discount ticket vouchers are available at all area Hy-Vee stores. Reservations are required. Information: rosetheater.org or 402-345-4849.
“The Rocky Horror Show,” Omaha Community Playhouse Howard Drew Theatre, 6915 Cass St., through Nov. 10. Showtimes: 7:30 p.m. Thursdays through Saturdays, 2 p.m. Sundays. Exceptions: Additional shows at 11:59 p.m. on Oct. 19 and 26 and Nov. 2. No shows on Oct. 20 and 27 and Nov. 3. Tickets: $42 to $50, varying by performance. Information: omahaplayhouse.com or 402-553-0800.
“Annie,” Omaha Community Playhouse Hawks Mainstage, 6915 Cass St., through Sunday. Showtimes: 7:30 p.m. Wednesday through Saturday, 2 p.m. Sunday. Tickets: Start at $32 adults, $20 students and vary by performance. Information: omahaplayhouse.com or 402-553-0800.
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1. Aladdin: "Aladdin" grabs you from the moment the curtain rises on a stage filled with brilliant color. This show requires performers to be expert vocalists, athletic dancers and comic actors, and, for the most part, this touring cast is up to the challenge. Read more
2. Return to Niobrara: "Return to Niobrara," deals with issues that unfortunately are as pertinent today as they were when Chief Standing Bear sued General George Crook in the 1870s: human rights, racism and stereotypes, among others. It's undoubtedly one of the best shows of the past year. Read more
3. South Pacific: Despite a lack of scenery and trims to the script, this production of "South Pacific" had a lot of heart and energy. Read more
4. I and You: What a story "I and You" is, complete with an ending that stunned everyone in the premiere-night audience. And what a group of actors, directors, designers and technicians the theater has chosen to tell it. Read more
5. Who's Afraid of Virginia Woolf? "Who's Afraid of Virginia Woolf?" is a raw, honest play, performed by actors who understand that. If you're used to rainbows and bluebirds, it will rattle you. But nonetheless, it is a worthwhile production. Read more
6. Of Mice and Men: "Of Mice and Men" is a faithful version of John Steinbeck's legendary novella, with a fine cast of actors, fabulous music evocative of the period and a theater space ideal for the 11-member cast. Read more
7. The Doll-Maker's Gift: "The Doll-Maker’s Gift" looks at the impact of pogroms on Russian Jews in the early 1900s. But it has more to say about kindness and hope, helping adults and children alike believe that the world may just hold more good people than bad. Read more
8. On Your Feet: There isn’t a dud in the cast of "On Your Feet." The touring musical about Gloria and Emilio Estefan has lots of energy, a bit of heart and enormous appeal. Read more
9. The Bridges of Madison County: The story behind "The Bridges of Madison County" isn't any more compelling than it ever was. But the Playhouse show, with its first-rate vocal work, acting and production values, is undeniably stunning. Read more
10. Come From Away: "Come From Away" is a warm and witty look at the generosity of a Canadian town to stranded jet passengers during 9/11, and inspires one to be a more generous, caring person. Read more
11. One Man, Two Guvnors: "One Man, Two Guvnors" was ably directed, features a supporting cast every bit as special as the lead actor and captures the best of British comedy in a side-splitting production. Read more
12. Dragons Love Tacos: "Dragons Love Tacos" is aimed squarely at kids. It has an uncomplicated and somewhat repetitive kooky story that doesn’t move too fast. Though I found my mind wandering at times, I derived my joy from seeing the kids' reactions. Read more
13. Men on Boats: "Men on Boats" tells a historical story in an innovative way, and the direction and acting are superb. But figuring out the underlying message was a bit challenging. Read more
14. The Woodsman: "The Woodsman" is everything theater can be. It doesn't need elaborate or expensive embellishments or more than an hour and change to tell a warm, fully realized and absolutely irresistible story. Read more
15. Miss Saigon: "Miss Saigon" has some absolutely breathtaking music, and cast members of the touring Broadway show have some absolutely breathtaking voices. The show's subject matter is still relevant today, and it doesn't pull any punches. Read more
16. Ragtime: "Ragtime" offers a portrait of immigration that contradicts some of the narratives today. It's been my experience in this job that the Playhouse always saves its season-best for last. That's true again this year. Read more
17. She Rocks: Tara Vaughan's "She Rocks" is a tribute to several artists. Sometimes she hewed closely to an idol's original sound, and at other times she got a little crazy. Depending on the song, her voice can be somewhat slight and girlish, folksy and alternative, sexy and just plain powerful. Read more
18. Matilda: Actor Joey Galda is a stitch as the evil Miss Trunchbull in this stage version of Roald Dahl's "Matilda." The rest of the cast, including kids, is pretty special, too. It also has probably the best set I've seen all year. Read more
19. West Side Story: Omaha South High School is using profits from "West Side Story" toward building a visual and performing arts addition on the south end of its campus. The diverse, well-acted, timely production is proof that the money will be well-spent. Read more
20. Hamlet: With artful direction from John Hardy, the gender-reimagined cast in "Hamlet" seamlessly slipped into the text and the action. The actors and their characters transcended gender roles to illuminate human and political archetypes in a compelling way. Read more
21. Into the Woods: I left feeling like I had been there a tad too long and I wasn't too taken by the music in "Into the Woods." But despite my gut reactions, I still enjoyed the experience, particularly the top-notch performers and beautiful sets. Read more
22. Beauty and the Beast: A luminous Belle, buffoonish Gaston, extra-special orchestra and more make this production of "Beauty and the Beast" a good, old-fashioned celebration and a wonderful way to spend a summer night. Read more
23. Rock Twist: Billy McGuigan is so likable, such a good storyteller and such a great showman that despite a few sound deficits, we left the theater grinning and raving about this year's "Rock Twist." McGuigan is real, with a self-deprecating humor and no pretensions. He doesn't take himself too seriously. Read more
25. Sweat: A Pulitzer-winning script, performances and other details make the show an excellent (if hard to watch) season-opener. But lest you think this show is relentlessly depressing, it’s actually anything but. Strangely enough, I left "Sweat" feeling hope. Read more