The Onion is turning funny into money as a digital media company.
Two years after consolidating editorial operations in Chicago, the satirical weekly newspaper has ceased publication, its website is filled with commercial comedy videos and the company has launched its own advertising agency.
While real newspapers struggle to adapt to the changing media landscape, a fake one thinks it has figured out how to thrive in the digital age. The Onion's audience and revenue are growing at a double-digit pace.
For Steve Hannah, chief executive officer and minority owner of the Onion, reinventing “America's Finest News Source” as a diverse digital media company has worked out better — and faster — than he imagined.
“We made some calculations and we got some of them right,” said Hannah, 65. “So far, we haven't screwed it up.”
Founded in 1988 by students at the University of Wisconsin-Madison, the Onion grew to national prominence by parodying the gravitas of newspapers with satirical headlines and stories, such as “Drugs Win Drug War.” It staked out online turf in 1996 with the launch of theOnion.com, sharing content between print and digital.
Current owners bought the Onion in 2001, led by money manager David Schafer. The editorial staff relocated to New York that year, leaving the corporate headquarters in Wisconsin. A former executive editor at the Milwaukee Journal, Hannah took the helm three years later.
Hannah moved the headquarters to Chicago in 2007, hoping to consolidate editorial and business operations here. That became an imperative during the recession in 2008 and 2009, when red ink forced the Onion to chart a new course — phasing out print operations and focusing on its websites.
In 2010, the Onion struck a deal with the Chicago Tribune and other partners across the country to publish, print and sell advertising for the publication. The strategy helped return the Onion to profitability, with the digital side driving revenue growth every year since, according to executives.
“The tough part about digital is getting enough scale to support an entire infrastructure of a company,” said Mike McAvoy, 34, president of Onion Inc. “It's paying for everything now.”
Last year, the Onion newspaper ended its run with the Dec. 12 edition, a tongue-in-cheek paean to its “bright” future in print. Copies of the final issue are piled on a table near a couch in the waiting area of its Chicago offices, an open, 12,000-square-foot space housing giant video props, workstations, play areas and 80-plus employees.
In January 2013, the Onion moved one block west of its old digs. The move to larger quarters came less than a year after recalling its reluctant writers from New York to join the Onion's business staff and sister entertainment publication A.V. Club under one roof.
Bringing everyone together laid the groundwork for Onion Labs, an in-house advertising agency that now accounts for more than half of the Onion's revenue, according to executives.
Last month, Rick Hamann, 41, a former creative director at Energy BBDO, was named to head Onion Labs, reflecting its growth and aspirations as a full-service creative agency.
Begun in 2012, Onion Labs was built to create branded video content for advertisers on the Onion website — basically custom commercials reflecting the Onion's comedic sensibility. The lure for marketers is reaching the elusive millennial audience that the Onion serves, with the hope that a commercial video might go viral.
More than 47 percent of the Onion's audience is between 18 and 34, according to comScore.
The Onion has honed its expertise in video through everything from the Onion News Network, an award-winning CNN parody, to Onion SportsDome, an ESPN parody. Both shows migrated to cable TV for short runs. Video spoofs abound on the Onion's website and its premium YouTube channel, drawing millions of viewers.
The Onion had 3.7 million unique visitors and the A.V. Club had 2.2 million unique visitors in March, according to comScore, figures that do not include mobile viewers. The Onion touts 15 million unique monthly visitors to its websites using data supplied by Google Analytics, up from 10 million two years ago. Google Analytics uses a different methodology that includes mobile viewers.
Major brands pay six figures for Onion Labs to create video content. One of them is YouTube, which has booked the Onion to create April Fools' videos for the past two years. This year's prank featured the preselected viral video trends for 2014 that would supposedly be foisted on users, including “clocking,” where people would mass in public slowly mimicking the hands of a clock. The video went viral itself with more than 2 million views, though the joke was apparently lost on more than a few outraged commenters.
Onion Labs also unleashed a video campaign this month for shoe retailer DSW, introducing the “Monopod,” a fused pair of shoes that forces wearers to hop, a “revolutionary leap in orthopedic technology.”
Other recent clients include the State of Illinois, which hired Onion Labs to help with the final push to enroll more “young invincibles” in the Affordable Care Act. The “Hand of Fate” video shows a giant hand slapping down and injuring the target audience.