Singing enchants in ‘South Pacific’

That was some enchanted evening.

Papillion-La Vista Community Theatre’s production of “South Pacific” really is enchanting, thanks to terrific leading players, a 19-piece orchestra that’s a cut above and moments of innovative staging from director Jeff Nienhueser and choreographer Valerie Brandt.

The Pulitzer- and Tony-winning Rodgers and Hammerstein musical set in World War II opened Thursday to a warm opening-night reception. But despite balmy weather at the outdoor venue, it wasn’t all smooth seas.

Balky scenery that moves haltingly — and noisily — was a consistent detraction. And the sound system isn’t all it should be, so at times the orchestra briefly overpowers or it’s hard to hear soloists.

It’s just that Mark Thornburg, as Emile de Becque, and Leanne Hill Carlson, as Ensign Nellie Forbush, are so good you endure the flaws with good humor.

From the moment Nellie, an Army nurse, and de Becque, a Frenchman who owns a Pacific island plantation, sing their inner thoughts about how in love they are early in Act 1, you know you’re in good hands.

He has a rich, deep bass, she a full and lilting soprano — and as if their exceptional singing weren’t enough, they’re both gifted actors who can make you feel the joy and pain of whirlwind romance. Add dashing good looks and sex appeal to spare, and it’s hot up there, whatever the weather.

Standout moments include Carlson’s coquettish take on “I’m Gonna Wash That Man Right Outa My Hair” and her exuberant version of “A Wonderful Guy.”

Thornburg delivers big time on “Some Enchanted Evening,” then tops it with a deeply moving rendition of “This Nearly Was Mine.”

Happily, supporting players hit high points as well. Becky Noble is great comic relief as profane islander Bloody Mary, and her smooth alto voice works magic on “Bali Ha’i.” As huckster sailor Luther Billis, Chris Thackray got a ton of laughs, especially his drag dance routine with Carlson on “Honey Bun.”

Trent Buglewicz, as handsome Lt. Cable, gets finer as the night lengthens, peaking on “You’ve Got to Be Carefully Taught” — the song that brings home the show’s strong statement against race prejudice.

Veteran choreographer Brandt shows her stuff with the female chorus’ towel dance on “Wash That Man,” a sextet of tap dancers for the camp holiday show and simple, exuberant fun for the guys on “There Is Nothin’ Like a Dame.” Music director Tim Keller’s orchestra keeps perfect time.

Pacing dragged here and there, particularly in Capt. Brackett’s office and on a few scene transitions. A creaky turntable and entrance ramp, amplified by microphones, also caused the audience’s focus to wander.

But Nienhueser’s careful attention to moments of emotional crunch time, especially between Nellie and Emile, give the show an extra shot of dramatic power.